Part 5.2

505. Near Pats

$\includegraphics[scale=0.7, clip=true, trim=0in 0in 0in 0.5in]{pdfs/505.pdf}$
tags:Flitting;Typical Myst.
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513. List Glance

$\includegraphics[scale=0.65, clip=true, trim=0in 0in 0in 0.3in]{pdfs/513_-_List_Roving_copy.pdf}$
tag: Typical Myst.

571. 8:5:3

$\includegraphics[scale=0.63, clip=true, trim=0.5in 7in 0.5in 1.3in]{edited-bonnie-pdfs/571.mus.pdf}$
tags:AproPo;Composite Ratios.
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571b. Invert 8/5-5/8

$\includegraphics[scale=0.63, clip=true, trim=0.5in 7in 0.5in 1.6in]{bonnie-pdfs/571b.mus.pdf}$

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572. Proximities for 5,7 & 9:11

$\includegraphics[scale=0.5, clip=true, trim=0.2in 3.5in 0.5in 0.7in]{word-to-pdf/572.pdf}$
tags:Decimals;Short-Hand/Patt 1st;Simul/Sequent.

572a. 1 Part-Composite-no nests apro

$\includegraphics[scale=0.63, clip=true, trim=0.5in 8.4in 0.5in 1.65in]{bonnie-pdfs/572a.mus.pdf}$

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132. each once - 2/3

$\includegraphics[scale=0.35, clip=true, trim=0.8in 0in 0in 0in]{imgs/25003.pdf}$
tags:2-Hands;Class Representatives;Each/Once/(Spread);
Fun.
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Here one will hear the same rhythms over and over regardless of notation.The notes are all the same length but the beats change a little.The duration of each note is the same but won't necessarily look the same.

The last measure in line one: there are 2 attacks of the note (which arethe same duration as all the notes that precede them) but 3 beats.

132. Class Reps-each/once

$\includegraphics[scale=0.6, clip=true, trim=0.5in 1.8in 0.5in 0.2in]{word-to-pdf/132.pdf}$

132. 2-hands

$\includegraphics[scale=0.63, clip=true, trim=0in 0in 0in 0.7in]{pdfs/132_two-hand.pdf}$

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132. new one

$\includegraphics[scale=0.6, clip=true, trim=0.5in 4in 0.5in 2in]{bonnie-pdfs/132.3_no_beats,_lines_or_TS.mus.pdf}$

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455. Special ReGroups

$\includegraphics[scale=0.65, clip=true, trim=0in 0in 0in 0.7in]{pdfs/455.pdf}$
tag:ReGroup.
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